Ground Your Reader, or Why Storyboarding is Important

The Room is our generation’s Rocky Horror*. It’s at best a D-List movie with horrible stock footage and acting right out of a CCD production of Best Christmas Pageant Ever. The writing is Nemesis-worthy.

Basically, if The Room was being graded for actual artistic merit, it would beyond fail.


The Room is a great learning experience. Tommy Wiseau’s “masterpiece” is a great example on what not to do in writing from character confusion, sloppy dialogue, poor pacing, and more.

He would've definitely benefited from using a storyboard, which is something I thought all film types did in form or another. For the sake of this post, storyboarding will encompass actual storyboards, maps, and logical sense.

1. Sense of Time. Novels span anywhere from one hour to several years. As writers, it’s our job to convey this information accurately to the reader. We can’t effectively do this unless we know how much time has passed in between scenes, chapters, or sections.

Example a la The Room: Lisa and Johnny are to be married in a month. Lisa is throwing a surprise birthday for Johnny in less than a week. The infamous tuxedo scene happens before the surprise party**.

Further Example a la The Room: At the start of the movie, there is a mention that Johnny and Lisa have been together for five years. At the end, someone else mentions it’s been seven years. There’s no indication that the movie takes place over a two-year span.

Why Storyboard? If you lay everything out, you’ll see where your inconsistencies lie, therefore making your story tighter. (Holly does this with her snazzy outline breaking it out by timestamp.)

2. Pacing. Does your action scene actually go fast? Did you include that much needed beat in between sentences?

Example a la The Room: I’ll just let Tommy help out here.

Why Storyboard? While storyboarding won’t help with that dialogue beat, it can help you figure out the logistics of your fight scene.
3. Logistical Plausibility. If you deal with multiple settings, it can be difficult to remember that the door is on your protagonist’s left or that this room has no windows.

Example a la The Room: For most of the scenes in Johnny and Lisa’s apartment, we see the living room from one angle. This angle gives us their couch which is in front of a window and has a coffee table in front. The outside door is house left of the couch. There’s only one scene where we see the other part of the apartment, which confuses the viewer to the point where we think the scene with the fireplace is a different location.

Further Example a la The Room: Right before the surprise party, we watch Johnny walk home from presumably work***. The walk takes over an hour****. Now yours truly walks 45 minutes each way to work, but she doesn’t do it in dress shoes and a business suit.

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Why Storyboard? Figuring out simple things like the commute home (if that’s important to your novel) aids in the believability of your characters’ world.

That’s what I learned from watching The Room. If you want more writing tips from this heckle-tastic movie, hop on over to Kat’s, Erinn’s, or Pam and Quita’s blogs where they’re sharing their learning experiences as well. Also, one of us will be giving away this awesomeness this week. Stay tuned.

And if you learned something from The Room, do tell.

* Minus The Time Warp, Meatloaf, crossdressers, and everything else that makes Rocky Horror brilliant.
** Which occurs almost at the end of the movie.
*** It’s about as exciting as you think it is. Cutting out extraneous crap is another writing lesson.
**** No, I didn't locate all this information. Someone had done the work for me.
________________ hit of the day: The Reckoning by Godhead